Our Heads Caved In; 2024
21X29cm
Print on Hahnemühle Photo Rag 188gr cotton paper; red pencil
Edition of 8+2AP (each copy with its own original writing by the artist)
Charlie Godet Thomas (b.1985, London, UK. Lives in Mexico City, MX) is a British-Bermudian artist whose work employs a wide range of approaches including writing, painting, sculpture, assemblage, photography, sound and video. His work is concerned with the connections between visual art and literature, the act of writing, the autobiographical, the tragic and the humorous.
Thomas has been exhibited internationally at galleries, institutions, biennials and fairs, including: Museo Jumex, Mexico City, MX; BALTIC Centre for Contemporary Art, Gateshead, UK; Somerset House, London, UK; 2022, 2020, 2018, 2016, 2014 and 2012 Bermuda Biennial, The Bermuda National Gallery, BM; Ladrón galería, Mexico City, MX; Carillon Gallery, Texas, US; VITRINE Basel, CH and London, UK. He was commissioned for SCULPTURE AT Bermondsey Square, London in 2017.
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Charlie Godet Thomas (1985, Londres, Reino Unido. Vive en la Ciudad de México, MX) es un artista británico-bermudense cuyo trabajo abarca escritura, pintura, escultura, ensamblaje, fotografía, sonido y video. Su investigación se enfoca en las conexiones entre el arte visual y la literatura, el acto de escribir, lo autobiográfico, lo trágico y lo humorístico.
Thomas ha expuesto internacionalmente en galerías, instituciones, bienales y ferias, entre ellas: Museo Jumex, Ciudad de México, MX; Centro BALTIC de Arte Contemporáneo, Gateshead, Reino Unido; Somerset House, Londres, Reino Unido; 2022, 2020, 2018, 2016, 2014 y 2012 Bienal de Bermudas, The Bermuda National Gallery, BM; Ladrón galería, Ciudad de México, MX; Carillon Gallery, Texas, Estados Unidos; VITRINE Basilea, CH y Londres, Reino Unido. Recibió el encargo de SCULPTURE AT Bermondsey Square, Londres en 2017.
I am the tree; 2023
28x37.2 cm
Print on Hahnemühle Photo Rag 188g
Ed. 15+3AP
250 USD
Cecilia Granara was born in Jeddah, Saudi Arabia, in 1991. Of Italian nationality, she grew up in Mexico City, Rome, and Chicago.
Through her extended painting practice she draws on self-fiction, poetry and symbolic iconography . She is interested in cultural attitudes to bodies, spirituality and nature, and the use of color as a vehicle for emotions.
She studied at Central St. Martin’s School of Art and Design in London and at the Ecole Nationale Superieure des Beaux Arts in Paris as well as Hunter College in New York City.
She participated in institutional shows at Fondation Pernod Ricard, Château La Coste, CAC Passerelle,Centre d’Art Parc Saint Léger, Musée Cérès Franco, ps120 Berlin as well as Galerie Jousse Entreprise, High Art, Brigade Copenhagen. She was a finalist in the Antoine Marin Prize in 2019 and was nominated for the Cairo Prize in 2021. Her work is part of the X Museum collection, Beijing.
Solo shows include “Tazas y Arcos” at the Italian Cultural Institute, Mexico City, “No Love Without Grief”, “Quatre Coeurs” and “0 infinity 21” at Exo Exo, Paris, “Lasciare Entrare, Lasciare Andare” at Studiolo Project, Milan, « Brittle Stars » at Sapling, London.
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Cecilia Granara nació en Jeddah, Arabia Saudita, en 1991. De nacionalidad italiana, creció en la Ciudad de México, Roma y Chicago.
A través de su práctica pictórica, recurre a la autoficción, la poesía y la iconografía simbólica. Está interesada en las actitudes culturales hacia los cuerpos, la espiritualidad y la naturaleza, y el uso del color como vehículo de emociones.
Estudió en Central St. Martin’s School of Art and Design en Londres y en la Ecole Nationale Supérieure des Beaux Arts en París, así como en Hunter College en Nueva York.
Participó en muestras institucionales en Fondation Pernod Ricard, Château La Coste, CAC Passerelle, Centre d'Art Parc Saint Léger, Musée Cérès Franco, ps120 Berlin, así como en Galerie Jousse Entreprise, High Art, Brigade Copenhagen. Fue finalista del Premio Antoine Marin en 2019 y fue nominada al Premio El Cairo en 2021. Su obra forma parte de la colección del Museo X, Beijing.
Sus exposiciones individuales incluyen “Tazas y Arcos” en el Instituto Cultural Italiano, Ciudad de México, “No Love Without Grief”, “Quatre Coeurs” y “0 infinity 21” en Exo Exo, París, “Lasciare Entrare, Lasciare Andare” en Studiolo Project , Milán, «Brittle Stars» en Sapling, Londres.
Winter time in Cuernavaca; 2024
25x35 cm
IPad drawing printed on Photo Rag Ultrasmooth 305g
Edition 6+2AP
Manuel Forte is a Portuguese-born and Mexico-City-based artist working across painting, drawing, sculpture and installation. Forte creates large-scale immersive environments utilizing these mediums in concert– adding dimensionality to his artistic vision with his poetic use of found objects and an approach to murals that challenges traditional perspectives of where two-dimensional canvas painting ends and sculpture begins.
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Manuel Forte es un artista nacido en Portugal y radicado en la Ciudad de México que trabaja en pintura, dibujo, escultura e instalación. Forte crea entornos inmersivos a gran escala utilizando estos medios en conjunto, agregando dimensionalidad a su visión artística con su uso poético de objetos encontrados y un enfoque de los murales que desafía las perspectivas tradicionales de dónde termina la pintura sobre lienzo bidimensional y comienza la escultura.
Struggling for a Title; 2023
35x50cm
Graphite on paper
Series of 4 unique drawings
500 USD
Theo Michael was born in Panorama, Greece in 1978. He has Greek, British and Mexican nationalities, and have lived extensively in various countries throughout his life.
His work has been described by fellow artists as “drunk anthropology”.
Michael’s drawings, sculptures and mosaics use archaeological, sci-fi and natural history references to engage in an alternative world-building exercise,
where boundaries and hierarchies between, cultures and species have collapsed.
Odilon Re-done, 2020
21 x 14.5 cm
Print on Hahnemühle photo rag
Edition of 10 (5 available)
350 USD
Mauricio Guillén (Mexico City 1971) has held exhibitions at institutions such as Museum für Moderne Kunst Frankfurt am Main, Tate Modern, The Whitechapel Gallery, The Barbican Centre, The Photographers Gallery London, The David Roberts Art Foundation, Betlehem Peace Centre, Museion Bolzano, Artists Space NY, and The Tokyo Photographic Art Museum.
His films and editorial work allow Guillén to address an audience beyond the limitations of the art world.
Viaje Cosmico 2
2022
Tecnica mixta sobre papel 21 x 29.7cm
de la serie “Album de viajes cósmicos”
750 USD
Rodrigo Hernández lives and works in Mexico City. His work has been exhibited in venues such as: Museo Jumex; Museo de Arte Moderno de Medellín (2022); SCAD Museum of Art, Savannah, Istanbul Modern (2020); Sala de Arte Público Siqueiros; Kunsthalle Winterthur (2019); PinchukArtCenter, Kiev; Pîvo, São Paulo, GaMec, Bergamo (2018); ZKM Museum für Neue Kunst, Karlsruhe; Kunstverein Nürnberg; Bonnefantenmuseum, Maastricht; Gladstone Gallery, Brussels; Kurimanzutto, Mexico City (2017); Moscow Museum of Modern Art, Moscow, (2016); Museum Haus Konstruktiv, Zürich; Kunsthalle Basel, Basel (2016).
The Thirst I (2020)
Off Set with copper layer
48 x 70 cm
Edition of 30 - 5 available
450 USD
BUY HERE
Marie Lund lives and works in Copenhagen. Her work has recently been shown at Kunstmuseum St Gallen, Holstebro Kunstmuseum, Badischer Kunstverein, Karl- sruhe, Goldsmith CCA, London, Palais de Tokyo, Paris, Tate Britain, London.
Marie Lund vive y trabaja en Copenhague. Su trabajo ha sido expuesto reciente- mente en Kunstmuseum St Gallen, Holstebro Kunstmuseum, Badischer Kunstverein, Karlsruhe, Goldsmith CCA, Londres, Palais de Tokyo, París, Tate Britain, Londres.
Poetas en acción (Poeta bailando rap) / Poets in Action (Poet Dancing Rap), 2021
Impresión de archivo sobre papel de algodón Hahnemühle / Archival print on Hahnemühle cotton paper
48.3 x 29.7 cm
Firmada y numerada en la cara frontal del papel / Signed and numbered on frontal face of the paper
Edition of 40 + 4 AP - 5 available
500 USD
BUY HERE
The work of Jorge Méndez Blake (Guadalajara, 1974) alludes to the processes of interpretation of language and writing, as well as the denial of textual meaning due to architectural or designed conditions of literary expression. It uses analysis and research as tools to translate the spaces between reading and observation, and to transform narrative and poetics into visual compositions and concrete objects.
El trabajo de Jorge Méndez Blake (Guadalajara, 1974) alude a los procesos de interpretación del lenguaje y la escritura, así como a la negación del significado textual por condiciones arquitectónicas o diseñadas de la expresión literaria. Emplea el análisis y la investigación como herramientas para traducir los espacios entre la lectura y la observación, y transformar la narrativa y la poética en composiciones visuales y objetos concretos.
Greens (Juan de la Cosa Edition) (2020)
Silver dollar eucalyptus, 200 Mexican Pesos banknote
20 x 30 cm
Framed
Edition of 10
350 USD
Nina Beier (DK) has held solo exhibitions at institutions such as Kunsthal Gent; Spike Island, Bristol; Contemporary Art Centre (CAC), Vilnius; Kunstverein in Hamburg; David Roberts Art Foundation, London; Objectif Exhibitions, Antwerp; Kunsthaus Glarus, Switzerland and Kunsthal Charlottenborg, Copenhagen.
Nina Beier (Dinamarca) ha tenido exhibiciones en instituciones como Kunsthal Gent; Spike Island, Bristol; Contemporary Art Centre (CAC), Vilnius; Kunstverein in Hamburg; David Roberts Art Foundation, London; Objectif Exhibitions, Antwerp; Kunsthaus Glarus, Switzerland and Kunsthal Charlottenborg, Copenhagen.
Qué suerte los que no te amaron (2020)
Graphite, Shiramine paper 110 g
24.2 x 31.9 cm each
Unframed
Unlimited edition
Using a system of templates and graphite dust, an unlimited series of drawings shows a plank of plywood mutating each time through cuts and geometric sections in its surface. In each of the variations the only condition is the use of the entire piece of wood.
Usando un sistema de plantillas y polvo de grafito, una serie ilimitada de dibujos muestra una plancha de triplay que muta cada vez por medio de cortes y orificios geométricos en su superficie. En cada variación la condición es utilizar el total de la madera.
400 USD each
Jorge Satorre (Mexico City, 1979) Lives and works in Mexico City. His work has been exhibited, amongst other, at REDCAT, Los Angeles; Museo Tamayo, Mexico City; CRAC Alsace; Museo Amparo, Puebla.
Jorge Satorre (Ciudad de México, 1979) Vive y trabaja en la Ciudad de México. Su trabajo ha sido mostrado en REDCAT, Los Angeles; Museo Tamayo, CDMX; CRAC Alsace, Francia; Museo Amparo, Puebla, entre otros.
Plaga (2020)
C-Print
Edition of 20 + 3 AP
22 x 27 cm
Unframed
300 USD
Tania Pérez Córdova lives and works in Mexico City. Recent solo exhibitions include Daylength of a Room at Kunsthalle Basel (2018) and Smoke, nearby at MCA Chicago (2017). With Francesco Pedraglio, Pérez Córdova runs Juan de la Cosa / John of the Thing, a publisher based in Mexico City.
Tania Pérez Córdova vive y trabaja en la Ciudad de México. Entre sus recientes exhibiciones se encuentran Daylength of a Room en la Kunsthalle de Basilea (2018) y Smoke, nearby en MCA Chicago (2017). Junto con Francesco Pedraglio, Pérez Córdova dirige Juan de la Cosa / John of the Thing, editorial independiente con sede en la Ciudad de México.
Bolla (2020)
Glazed ceramic cast of a found tree-branch, spirit level
24 x 3 ⌀ cm
Edition of 15 + 3 AP
200 USD
Francesco Pedraglio is an artist and writer living in Mexico City. His work has been shown, amongst others, at Museo MACRO Roma, CRAC Alsace, Kunstverein Munich, Kunsthalle Wien, ICA London.
Francesco Pedraglio es un artista y escritor que vive en la Ciudad de México. Su trabajo ha sido exhibido, entre otras sedes, en el Museo MACRO Roma, CRAC Alsace, Kunstverein Munich, Kunsthalle Wien, ICA London.
Dog Star (2020)
Screenprint
21 x 29.7 cm
Edition of 20 + 2 AP
Unframed
Interested in the translation of everyday sayings into images, Alan Sierra gathers two non-human presences in a line drawing that references star Alpha Canis Majoris common name.
Interesado por la traducción de expresiones cotidianas a imágenes, Alan Sierra reúne dos presencias no humanas en un dibujo de línea que hace referencia al nombre común de la estrella Alpha Canis Majoris.
130 USD
Alan Sierra es un artista que vive y trabaja en la Ciudad de México. En 2019 se publicó Nonverbal, su primer libro de dibujos editado por Gato Negro. Actualmente forma parte del Programa Educativo SOMA y colabora como asistente editorial en Juan de la Cosa / John of the Thing.
Alan Sierra is an artist who lives and works in Mexico City. In 2019, Gato Negro Ediciones published his first book of drawings. He is now a participant in SOMA’s Educational Program and editorial assistant at Juan de la Cosa / John of the Thing.
Sin título ni ojos (2020)
Digital print
10.6 x 15 cm each
Diptych
Edition of 10
Unframed
500 USD
Julia Rometti (Nice, France, 1975) and Victor Costales (Minsk, Belarus, 1974) started their collaboration in 2007. Their work has been exhibited, amongst other, at CA2M Madrid; Museo Tamayo, CDMX; SAPS, CDMX; Casa del Lago, CDMX; Kunsthalle Basel.
Julia Rometti (Niza, Francia, 1975) y Víctor Costales (Minsk, Bielorrusia, 1974) trabajan juntos desde el 2007. Su trabajo ha sido mostrado en CA2M Madrid; Museo Tamayo, CDMX; SAPS, CDMX; Casa del Lago, CDMX; Kunsthalle Basel entre otros.
Lázaro Lamp / Lámpara Lázaro (2018)
Polypap, Acrylic
634 x 603 x 383 mm
Unlimited edition
230 USD
Pedro&Juana is a studio from Mexico City founded by Ana Paula Ruiz Galindo (Mexico City 1981) and Mecky Reuss (Hamburg 1980) that works on a variety of projects across creative professions. In 2019 they were awarded the Museum of Modern Art and MoMA PS1’s 20th Annual Young Architects Program (YAP).
Pedro&Juana es un estudio fundado en la Ciudad de México por Ana Paula Ruiz Galindo y Mecky Reuss que trabajan en una variedad de proyectos a través de distintas disciplinas En 2019 recibieron el 20th Annual Young Architects Program (YAP) del Museum of Modern Art y MoMA PS1.
