Juan de la Cosa / John of the thing

Flores para los muertos / Flowers for the dead

Publicado por/Published by: Juan de la Cosa

Editores/Editors: Tania Pérez Córdova, Francesco Pedraglio

Corrección de estilo/Copy editor: Aurelia Cortés Peyron

Diseño y formación/Design: Sofia Broid

Traducción/Translation: Amanda Hopkinson, Daniel Borzutzky, Cole Heinowitz

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Luis Felipe Fabre (Ciudad de México, 1974) es un poeta, ensayista y editor con base en la Ciudad de México. Algunas de sus publicaciones incluyen Leyendo agujeros. Ensayos sobre (des)escritura, antiescritura y no escritura (2005), Cabaret Provenza (2007), La sodomía en la Nueva España (2010) y Poemas de terror y de misterio (2013). Su trabajo como editor incluye Divino Tesoro. Muestra de nueva poesía mexicana (2008), La Edad de Oro, Antología de poesía mexicana actual (2012) y Arte & basura. Una antología poética de Mario Santiago Papasquiaro (2012).

Luis Felipe Fabre (Mexico City, 1974) is a poet, essayist and editor based in México City. Some of his publications include Leyendo agujeros. Ensayos sobre (des)escritura, antiescritura y no escritura (2005), Cabaret Provenza (2007), La sodomía en la Nueva España (2010) and Poemas de terror y de misterio (2013). His editorial work includes Divino Tesoro. Muestra de nueva poesía mexicana (2008), La Edad de Oro, Antología de poesía mexicana actual (2012) and Arte & basura. Una antología poética de Mario Santiago Papasquiaro (2012).   

Choreography / Coreografía

Editors/Editores: Tania Pérez Córdova, Francesco Pedraglio

Co-editor of Spanish text/Co-editor en Español: Diego Gerard

Translation/Traductor: Aurelia Cortés Peyron

Design/Diseño: Leonel Salguero, Studio Katsu

Edition/Edición: Español/Inglés

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Paul Becker (Windsor, UK, 1967) is an artist and writer based in Newcastle, UK.

Selected solo exhibition: New Paintings, at Drop City, Newcastle (July 2015), The Cat, Carpeted at Le Salon, Brussels (2012), Noble Prince Of The Royal Mysteries at Vane Gallery, Newcastle (2008), Fontanelle at the Transition Gallery, London (2005).

Selection of group exhibitions: The Decorator & the Thief, Northern Gallery of Contemporary Art, Sunderland (2015), The Imaginary Archive at the Whitechapel Gallery, London (2015), When I Was Young I Never Needed Anyone at MAUVE, Vienna (2014), Auto Italia Live, at ICA, London (2013), Sincerely how am I talking? at Hollybush Gardens, London (2012).

He co-edited Cadavere Quotidiano (X-TRA Publishing, Los Angeles 2014) an anthology of artist writing, and co-directs the gallery space Drop City, in Newcastle.

Paul Becker website.

Paul Becker (Windsor, Reino Unido, 1967) es artista, escritor y académico inglés.

Selección de exposiciones individuales: New Painting, at Drop City, Newcastle (July 2015), The Cat, Carpeted at Le Salon, Brussels (2012), Noble Prince Of The Royal Mysteries at Vane Gallery, Newcastle (2008), Fontanelle at the Transition Gallery, London (2005) and at the Chapter Gallery, Cardiff (2003).

Selección de exposiciones colectivas: The Decorator & the Thief, Northern Gallery of Contemporary Art, Sunderland (2015), The Imaginary Archive at the Whitechapel Gallery, London (2015), When I Was Young I Never Needed Anyone at MAUVE, Vienna (2014), Auto Italia Live, at ICA, London (2013), Sincerely how am I talking? at Hollybush Gardens, London (2012).

Becker es co-editor del libro Cadavere Quotidiano (X-TRA Publishing, Los Angeles, 2014) y cofundador del espacio de Drop City en Newcastle.

Paul Becker website.

Editors/Editores: Francesco Pedraglio, Tania Pérez Cordova
Translation/Traductor: Diego Gerard
Design/Diseño: Leonel Salguero, Studio Katsu
Edition/Edición: Español/Inglés

BASE BASE brings together the works #LOVEOFGOD; 1,2,3,4,5,6,7,8,9,10,11,12 and Blackbirds. Arranged non-chronologically, the three pieces span a seven year period with Blackbirds written specifically for the publication. Each text, by way of its own method, positions List Thomsen’s body in relation to an event; a hotel room in LA, the Avenues of Manhattan, the political reality of the present. He moves through, collects, but rarely interprets these varied topographies.

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Jesper List Thomsen is a Danish artist and writer based in London and Athens. He uses his body as a site for accumulating language. He is also a part of the artist collective Am Nuden Da.

Recent performances and exhibitions include Hollis and Money, ICA, London/ Künstlerhaus, Stuttgart; Speak Through You, Hot Wheels Projects, Athens; A Social Body Event, Serpentine Gallery, London; Micro-Composition, Rozenstraat, Amsterdam; The body, the body, the tongue, Reading International; Hand and Mind, Grand Union, Birmingham; The boys the girls and the political, Lisson Gallery, London; One Hour Exhibition, South London Gallery, London.

His writing has been published in Material; Cadavere Quotidiano; Versuch, Notes and Projects. Between 2010 and 2013 he was a regular contributor to Dapper Dan.

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Jesper List Thomsen es un artista y escritor Danés con base en Londres (Inglaterra) y Atenas (Grecia). Utiliza su cuerpo como sitio para acumular lenguaje. Forma parte del colectivo artístico y curatorial Am Nuden Da. 

Algunos performances y exposiciones recientes son Hollis and Money, ICA, Londres/ Künstlerhaus, Stuttgart; Speak Through You, Hot Wheels Projects, Atenas; A Social Body Event, Serpentine Gallery, Londres; Micro-Composition, Rozenstraat, Amsterdam; The body, the body, the tongue, Reading International; Hand and Mind, Grand Union, Birmingham; The boys the girls and the political, Lisson Gallery, Londres; One Hour Exhibition, South London Gallery, Londres.

Su trabajo escrito se ha publicado en las publicaciones Material; Cadavere Quotidiano; Versuch, Notes and Projects. De 2010 a 2013 contribuyó regularmente en Dapper Dan.

Joanna Hogg (UK, 1960) is a filmmaker and curator based in London, UK.

Selected filmography: Unrelated (2008), Archipelago (2010), Exhibition (2013), Push Me Pull You, multiscreen video, Barbican, London (2015).

Recent work: adapted and directed Harold Pinter's screenplay of Karen Blixen’s The Dreaming Child for BBC Radio 4 (2015). She was filmmaker in Residence at Cambridge University (2016).

She co-curates film collective A Nos Amours. Selected events: Chantal Akerman Retrospective (2013-2015); Chantal Akerman NOW at Ambika P3 Gallery (2015); Jacques Ranciere event, King's College London (2015).

She is currently preparing her next film The Souvenir.